冒險建築 ! Adventure Architecture

數位藝術有別於傳統的藝術表達形式，整合了藝術、創造與科技媒體的應用。「以數位化媒材當作工具或者表達媒介所進行的藝術 創作」為數位藝術創作，新的科技與工具還在不停的更新，數位藝術創作勢必出現更多樣化的性質與創作種類，並且將以結合更多領域的複合性型態呈現。

「新媒體藝術」、「科技藝術」或者「電子藝術」……等名稱，使其在作品媒材上及科 技涉獵成分上顯出些微差異。於是，從廣義的範圍來看，數位藝術其實與科技發展息息相關，從本世紀初的攝影錄像藝術開始，數位藝術可以視作是當代的藝術。

數位藝術的範圍，與科技，以及藉由科技發展所衍生各領域的思考已密不可 分。

Graphic design and programing

Examples : Shift magazine  , Takeshi Murata

The computational power of programming has become an essential tool in all forms of cultural production, and it has become the constant companion of creativities.

 I am a designer and an architect. What I am interested in is examining the role of software and generative strategies in current digital art and design. These exercises are my explorations to produce interesting graphics using processing as a programming tool.

 http://en.wikipedia.org/wiki/Cycloid

http://weblogs.media.mit.edu/SIMPLICITY/

Trash talk?>

Toxi aka Karsten Schmidt has been playing productive troublemaker the last few days, blogging some loose thoughts about what kind of tools and ideas are needed for a productive evolution of the computational design field.

To roughly summarize: He is critical of the current state of the generative / computational scene, and the tools that are being hyped. Among his criticisms is that the work that is currently popular in the scene is often focused on immediate gratification, duplicating already existing work. It also often found lacking in niceties like software design, or even a more general understanding of good coding practices.

http://mrl.nyu.edu/~perlin/

The storm is here